The story of the evolution of calligraphy as cave paintings Lascaux paintings by Da Vinci that although painters primitive murals cave’s Amateur drawn and in conformity with the drawings of Leonardo da Vinci is very unfair, but since both the result of abstraction and typically Art are, in our view than to criticize and even simple look will change quite unpleasant. As favorites fading power to enforce da Vinci and expert appreciation of the painters of Lascaux paintings founded have made in that direction that Miremad self-existence for Amirkhni is in recognition of Professor Mir Emad Hassani not to destroy new style Bell pedigree-e-Taiba for Master Amir Khani, from the line.
From the definitions presented, we find that: Calligraphy art in general and all calligraphy lines have a dynamic potential in particular, which is a glimpse into the history of the line, showing a breakthrough. As we have been able to confirm the progress of the line, we have also confirmed the inevitability of breaking progress and the other lines. And since we carry judgments on evolution and change, it will be determined that the aesthetics of contemporary masters are only evolving and not changing, because the change in the word line means a combination, for example, the combination of two The manuscript and suspension line created a line called Nastaliq. Since any art was initially a protest, it might have been objected to at an early stage, as opposed to the teachings of Ali Akbar Kaveh from the very beginning of the painting’s line-up. However, over time, this artistic style has become almost the same among artists, and is now less opposed to this artistic activity.
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